These are some of the most expressive and musical sounds out there, and there’s no other one-stop sample player or library that comes close. Pounding through the patches rapidly reveals east west goliath wealth of well-recorded and cunningly processed sounds equipped with useful, velocity switched variations and bags of east west goliath for applying your preferred MIDI controllers. Top-flight timbres that are ideal for use in songwriting projects, filmscoring and for more instant results. There is no learning curve involved.
Goliath Virtual Instrument
A monster amount of pro-quality sampled audio fronted by a well-designed interface. Pros 40GB sound library. More than instruments. Cons You’ll need a second hard drive. Limited editing facilities. A 6-DVD install, Goliath plonks 40GB of sample content onto your external, necessarily high-performance media drive RAID 0 suggests itself and a high-performance replay engine onto the system drive. This is capable of both and bit operation and sports a decent interface.
If you’re using a bit computer, such as a modern Mac or high-end Windows machine, Play is able to address as much RAM as you can stuff onto the motherboard up to 32GB with the Mac Pro , making for a massive ‘live’ sound-palette. Of course, when using Goliath as a plug-in, you’ll also need a bit host sequencer, such as Cubase or Nuendo 4.
In detail In terms of sounds, Goliath covers a lot of ground. There are basses, acoustic and electric guitars, percussion, acoustic and electronic pianos, organs, pop brass, orchestral instruments, choirs, ethnic instruments, atmospheres and a wealth of synth leads and pads. With more than instruments and over patches in the core library, you might think digging through them could be a chore. However, the Play browser is well organised, grouping collections by type, and there’s the facility to create Favourites folders for rapid access to your most often-used patches.
Multiple patches can be loaded into a single instance of the Goliath interface and routed to nine stereo audio outs, although any pair can be made mono. Sound-sculpting options are limited in that the delay only has only Time, Feedback and Level controls, while Reverb presets are limited to a lone Level rotary.
ADT, with modulation, features, as does a minimalist filter with just Resonance and Frequency knobs. But what’s really useful is that you can readily see any patch articulations, thanks to a panel at bottom right, and even switch them off or unload them. Articulation keyswitches are highlighted in blue on the keyboard at base. Rather than bog the product down with whizzy extras, such as EQs and compressors, Quantum Leap appears to have concentrated on the quality of the basic sounds.
Pounding through the patches rapidly reveals a wealth of well-recorded and cunningly processed patches equipped with useful, velocity-switched variations and bags of opportunities for applying your preferred MIDI controllers. Summary While Goliath may not appeal to more left-field samplists seeking to use their own snippets and warp them beyond recognition, it does provide top-flight sounds that are ideal for use in songwriting projects and filmscoring.
It’s easy to use, the Play engine is powerful and extensible thanks to network support and the price ticket looks more than reasonable considering the wealth of content available. Also, if you’ve recently bought Goliath’s predecessor Colossus, there’s a tasty upgrade deal to be had from the developer’s website.
Listen to what Goliath can do: Limberger lead.
East West Goliath
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Now the entire Goliath sample library has disappeared. My $ EASTWEST QUANTUM LEAP GOLIATH | Menno de Boer’s blog. 1. Share. Includes the EastWest / PMI Bösendorfer grand piano; Universally applicable in film, TV and music production; Flexible preset and instrument browser.