The greatest accomplishment, in my view, is the way the room sound was captured. Even when using only the Player position I found it almost unneccessary to invoke the built-in convolution reverb, which is amazing in and of itself. If you’re looking for the most authentic sounding sampled grand pianos available at this time, east west pianos gold vs platinum have a system that can handle it, Quantum Leap Pianos is a must-consider. Just make sure you have the latest vesion – and a computer that is ready for it!

Quantum Leap Pianos

east west pianos gold vs platinum

Summary Articulations Staccato samples are a feature not found in other piano libraries; played at bpm, these very short notes can be accessed simply by pushing the mod wheel up above the halfway point. Initially I wondered why they were included, but after playing them I realised that the ‘real staccatos’ sound completely different from sustained notes played in staccato style.

This is partly due to the longer release time of the sustains which can be reduced if you wish , and also because with the played staccatos you can clearly hear the muting effect of the damper returning to the string at the end of the note.

EastWest’s studio formerly Western Recorders provides an excellent venue for sampling practically anything — in this case one of the Quantum Leap pianos. Sample companies have developed a communal phobia of the so-called ‘machine-gun effect’ of the same sample rapidly reiterated. To avoid this, QL Pianos provides ‘repetition’ samples. These are not isolated takes of the same note, but samples extracted from repetition performances where the string continued to vibrate throughout.

The Play sound engine senses when a note is rapidly repeated and uses repetition samples for the repeats. It’s not clear how many different repetition samples are used per note, but I heard no trace of the dreaded machine-gun effect — which is a shame, I particularly wanted it for my new composition ‘Machine-gun Moods’.

Una corda is not the name of an Italian punk band, but the classical term used for the piano soft pedal. Most piano notes have three strings; when you press the soft pedal the piano’s hammers shift to the right and hit only two of them, giving a smaller, softer sound. All four pianos have a full set of soft-pedal samples that can be accessed by sending the player a MIDI CC 67 command.

The effect differs from piano to piano, but in all cases it transforms the sonic character and adds greatly to the timbral variety of the instruments. The difference in sound is quite obvious — the sustain pedal samples sound more resonant and richer in overtones. Keyswitches are not used in this library because most articulation changes are handled automatically by the player.

All patches have alternative ‘light’ versions; sampled at minor thirds, these are one third the size of the full chromatic versions. The difference in sound between a light and full patch is pretty minimal, so to ease CPU strain you might want to use a light patch while composing and substitute the full version when it comes to mixing.

If your system can’t cope with thousands of samples and multiple mikings, you can unload unwanted articulations from a patch and use just one mic position. My personal favourite was the player perspective, which is close enough to bring out the precise attack of notes and distant enough to introduce a bit of ‘air’ into the sound.

Once you’ve played the pianos and decided on your favourite s , you might want to delete one or more of the others to free up some disk space. QL Pianos simplifies the job of doing this by grouping each piano’s samples in a clearly identified folder. Piano sound being such a personal thing, it’s hard to predict which way players might jump if asked to choose between QL Pianos’ instruments. The bright sound of the Yamaha is unbeatable for pop and rock, and if you need a more extreme noise you can dial up Ken Scott’s EQ’d Bechstein ‘classic pop’ patch, which has top and high-middle frequencies in abundance.

Whatever your preference, it’s clear that all four are very good sampled pianos, and since they’re sold as a bundle, buyers will be spoiled for choice!

The release of QL Pianos completes the first set of Play-formatted libraries originally announced in the spring of If that seems like an unreasonably long wait, bear in mind that recording projects of this size take a very long time. Editing the 68, samples in this library took four people eight months, and I bet pianist John Sawoski’s figures are still aching!

The ultimate test of whether all the effort was worth it comes when a musician sits down to play the instruments, and this musician spent many happy hours playing the ‘fab four’ to coin a phrase pianos included in this world-beating collection. Lift The Lid: Extra Facilities The QL Pianos Play engine contains some global controls that help you fashion the piano sound you need. The ‘Lid Position’ slider simulates the effect of closing the piano lid by rolling off top end when you turn it counterclockwise.

Though I suspect most users will leave it fully open, it’s a convenient way of subtly reducing high frequencies without having to reach for an EQ plug-in. The ‘Stereo Spread’ effect found in other Play libraries is also incorporated here.

It makes the stereo image wider by adding a stereo delay effect. This sounds great when you apply it liberally to a mono guitar, but with the pianos I feel the effect is best used sparingly. A ‘Sensitivity’ control lets you tailor the dynamic response of the patches to your touch, a nice facility that’s more convenient than having to change the velocity curve on your master keyboard every time you play the library.

The control defaults to a diagonal straight graph line; if you alter its shape to a concave curve, mid-range velocities are reduced, lower velocities are compressed and higher velocities are exaggerated, while a convex curve makes mid-range velocities louder, exaggerates lower velocities and compresses higher velocities.

This system should cover most dynamic requirements, but it’s a little complicated; I’d prefer a simple control where you can add or subtract a user-defined number to or from the MIDI velocity values, enabling a global dynamic up or down shift. The convolution reverbs included in QL Pianos will bring cheer to its users: Applying this reverb to the pianos therefore ensures compatibility with that library’s reverberant samples.

These pianos already sound great dry, so the provision of this expensive-sounding, luxuriant concert hall effect is the icing on the cake.


EASTWEST STUDIOS (more RIAA certified platinum and gold records awarded than any This virtual instrument includes four of the world’s finest grand pianos: a EastWest/Quantum Leap Pianos Gold Edition, which provides only the. With Gold you get 1 mic position for a Piano, with Platinum you get 3. Would compare them to Bechstein Digital Grand, although that’s only one, Meanwhile, you can’t go wrong with the EastWest ones, but I have to admit I.

VIDEO: East West Pianos Gold Vs Platinum

I can only afford the gold version of the east west composer collection Should I just wait a few more weeks and get the platinum pianos and. QL Pianos Platinum | Four of the world´s finest grand pianos | Bechstein D, EastWest/Quantum Leap Pianos Gold Edition, which provides only the.

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